系統識別號 | U0002-0301202512450900 |
---|---|
論文名稱(中文) | 《科學怪人》與《沙丘》中的環境界與脆弱性 |
論文名稱(英文) | Umwelt and Vulnerability in Frankenstein and Dune |
第三語言論文名稱 | |
校院名稱 | 淡江大學 |
系所名稱(中文) | 英文學系博士班 |
系所名稱(英文) | Department of English |
外國學位學校名稱 | |
外國學位學院名稱 | |
外國學位研究所名稱 | |
學年度 | 113 |
學期 | 1 |
出版年 | 114 |
研究生(中文) | 吳香君 |
研究生(英文) | Hsiang-Chun Wu |
學號 | 801110106 |
學位類別 | 博士 |
語言別 | 英文 |
第二語言別 | |
口試日期 | 2024-12-27 |
論文頁數 | 202頁 |
口試委員 |
共同指導教授
-
蔡振興(rnchtsai@gmail.com)
口試委員 - 熊婷惠(154050@o365.tku.edu.tw) 口試委員 - 莊晏甄(138460@o365.tku.edu.tw) 口試委員 - 周序樺( sschou.academia@gmail.com) 口試委員 - 張宜瑧(floraliping@ntub.edu.tw) 指導教授 - 海柏(pathaseltine@gmail.com) |
關鍵字(中) |
環境界 新歷史主義 自我形塑 生態哲學 異質性 怪物論 資本主義 |
關鍵字(英) |
Umwelt new historicism self-fashioning ecosophy heterogeneity monstrosity capitalism |
第三語言關鍵字 | |
學科別分類 | |
中文摘要 |
瑪麗·雪萊的《科學怪人》(Frankenstein)和法蘭克·赫伯特的《沙丘》(Dune)揭示角色如何在自身的感知世界內突破界限,塑造其他生物及環境,以追求無止境的欲望。透過應用雅各布·馮·厄克斯庫爾(Jakob von Uexküll)的環境界(Umwelt)概念、斯蒂芬·格林布拉特(Stephen Greenblatt)的自我形塑(self-fashioning)概念,以及皮耶·費利克斯·伽塔利(Pierre-Félix Guattari)的生態哲學(ecosophy)概念,本研究探討在這兩部科幻小說中,人類如何過度使用科技以應對自身有限的環境界,從而侵犯其他物種的獨特環境世界,並耗盡自然資源。 本文共分四章。緒論探討背景文獻,介紹科幻小說的歷史發展,同時也解釋如何運用史蒂芬·格林布拉特的新歷史主義(new historicism)和費利克斯·瓜塔里的生態哲學來理解人類的環境界。第一章闡述新歷史主義和生態哲學如何與雅各布·馮·尤克斯庫爾的環境界概念相連,並探討個體、有機體與環境之間的關係。第二章討論《科學怪人》中主角如何製造有毒廢料來傷害人類並污染環境。第三章說明在資本主義影響下,角色如何相互塑造,以滿足各自欲望,在《沙丘》中尤為明顯。第四章比較《科學怪人》和《沙丘》,揭示主要角色過度使用先進的科技導致環境破壞和人類身體變化的情況。總括,本論文主張科幻小說《科學怪人》和《沙丘》描繪了人類如何以極端的方式感知和與環境互動,因為每個人都有自己封閉的環境界。然而,人類的能力過於有限,無法改變他們遇到的所有狀況;因此,人類應該尊重其他生命的多樣性和自主性,而不是將自己的意志強加於他人。 |
英文摘要 |
Mary Shelley’s Frankenstein and Frank Herbert’s Dune reveal how characters within their own perceptual worlds transcend their limits to fashion other beings and the environment in pursuit of insatiable desires. By applying Jakob von Uexküll’s concept of Umwelt, Stephen Greenblatt’s concept of self-fashioning, and Pierre-Félix Guattari’s concept of ecosophy, this study examines how in these works of science fiction humans overuse technological advancements to cope with their limited Umwelt, thereby infringing upon the unique existences of other species and depleting natural resources. The dissertation is divided into four chapters. Introduction discusses background literature, introduces science fiction historical development, and explains how Stephen Greenblatt’s new historicism and Pierre-Félix Guattari’s concept of ecosophy are employed to understand the human Umwelt. Chapter One expounds on how new historicism and ecosophy link to Jakob von Uexküll’s Umwelt and then addresses connections between individuals, organisms, and environments. Chapter Two discusses how the protagonist creates toxic waste to harm human beings and pollute the environment in Frankenstein. Chapter Three demonstrates how characters under the influence of capitalism frame each other to satisfy their desires in Dune. Chapter Four compares Frankenstein and Dune to unveil how the main characters’ overuse of technological advancements leads to environmental destruction and human physical changes. Overall, the dissertation concludes that the science fiction novels Frankenstein and Dune depict how humans who are born with their own enclosed Umwelt perceive and interact with the environment in their extreme ways. However, their abilities are revealed as too limited to alter all the conditions they encounter; therefore, humans should have respected the diversity and autonomy of other beings rather than imposing their will upon them. |
第三語言摘要 | |
論文目次 |
Table of Contents Introduction......................................................................1 Chapter One The Human Umwelt and the Limits of Self-Fashioning...............................23 The Concept of Umwelt............................................................24 The Functional Cycle of Living Beings............................................26 Human Umwelt Differences: Still a Bubble.........................................28 New Historicism-Michel Foucault, Louise Montrose, and the Concept of Self-Fashioning...............................................................31 Ecosophy.........................................................................35 Umwelt and New Historicism.......................................................39 Umwelt and Ecosophy..............................................................40 New Historicism and Ecosophy.....................................................41 Chapter Two Toxic Gothic: The Cultural Monster in Nature in Frankenstein.....................45 The Scientist and the Creature’s Different Perception in Germany.................47 The Scientist and the Creature’s Different Perception in the Arctic..............57 Monstrosity in Characters........................................................61 Ecology Discourse in Frankenstein................................................70 Chapter Three Umwelt, Historicity, and Capitalism in Dune......................................77 The Same Species but Different Perceptions on Planet Caladan.....................79 The Same Species but Different Perceptions on Planet Arrakis.....................85 Different Ethnicities with the Same Perceptions on Planet Arrakis................96 Different Plans for Existence on Planet Arrakis.................................102 Monstrosity in Characters.......................................................105 Ecology Discourse in Dune.......................................................119 Chapter Four Environment and Physical Change.................................................137 Power Desires Causing Environment and Physical Change...........................140 The Influence of Physical Changes on the Creature and the Fremen................147 Man-Made Tools Impinging on Species’ Umwelten and Environment...................157 Family and Survival of the Human Species........................................170 The Function of the Outside Narrators...........................................179 Conclusion......................................................................193 Works Cited.....................................................................199 |
參考文獻 |
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