系統識別號 | U0002-3007200913543300 |
---|---|
DOI | 10.6846/TKU.2009.01159 |
論文名稱(中文) | 台灣藝文市場生活型態區隔之研究 |
論文名稱(英文) | The Research of the Lifestyle Segmentation of Taiwan's Art and Culture Market |
第三語言論文名稱 | |
校院名稱 | 淡江大學 |
系所名稱(中文) | 國際貿易學系國際企業學碩士班 |
系所名稱(英文) | Department of International Trade |
外國學位學校名稱 | |
外國學位學院名稱 | |
外國學位研究所名稱 | |
學年度 | 97 |
學期 | 2 |
出版年 | 98 |
研究生(中文) | 敏莉 |
研究生(英文) | Jennie Miller |
學號 | 696550630 |
學位類別 | 碩士 |
語言別 | 英文 |
第二語言別 | |
口試日期 | 2009-06-08 |
論文頁數 | 130頁 |
口試委員 |
指導教授
-
鮑世亨(sh.pao@msa.hinet.net)
委員 - 張俊惠(en0212@mail.tku.edu.tw) 委員 - 王慶之(michaelwang@takming.edu.tw) |
關鍵字(中) |
台灣 藝術 文化 一般生活型態 藝術生活型態 |
關鍵字(英) |
Taiwan Art Culture General lifestyle segments Art lifestyle segments |
第三語言關鍵字 | |
學科別分類 | |
中文摘要 |
我們已知大大小小藝文產業的經濟利益是不可小覷的。如果在這市場上增加國際觀,以致於在自由表達能力、文化多樣性與經濟成長上都扮演重要的角色。為了使國際上較無勢力的發展中國家參與藝術文化產業,政府、公司企業、各種組織與每個人都應該共同創造、支持與增進藝文計畫與通路。這不僅幫助振興經濟,並且激勵文化創意的資源。 為了更了解這個一直在改變與複雜的產業,以及了解不同的生活習慣、消費偏好與行為是必需的,以致分析特定人口的區隔。藉由了解每種消費者的習慣以及他們偏好於參與哪種藝文活動,不同的組織可以創造一個商業策略去開創具有潛力的新市場與消費者。 以下為本論文的研究目標: 1.針對台灣藝文市場,探討不同藝文生活型態族群之一般生活型態是否有不同。 2. 針對台灣藝文市場, 探討不同藝文生活型態族群之參與頻率是否不同。 3. 針對台灣藝文市場, 探討不同藝文生活型態族群之願付價格是否不同。 從研究的發現可得知各種台灣文化產業以及各種消費者的文化區隔。這個論文的主要意涵為如何建議台灣的行銷者開創台灣的藝文產業以及對於相關研究有進一步的發展與建議。 |
英文摘要 |
Abstract Creative industries are being realized for their benefits in large and small scale. Adding an international dimension gives them a role for the future in terms of freedom of expression, cultural diversity and economic development. In order for smaller or growing countries to partake in the advantages of the arts and culture industries, governments, businesses, organizations and individuals alike can cooperate to create, support, and improve projects and channels of distribution. This will not only help to boost the market, but also help to inspire the source of creativity. In order to better understand this ever-changing and complex industry, different kinds of lifestyles, and consumer preferences and behaviors are needed to analyze the various segments of a population. By knowing what groups of consumers like and what kinds of activities they prefer to participate in, different organizations can create a marketing strategy to attract potential new markets, as well as consumers. This study has the following objectives: 1. Use the Taiwan art and culture market at an aim, to discuss the significance of different art lifestyle segments on general lifestyle. 2. Use the Taiwan art and culture market at an aim, to discuss the significance of different art lifestyle segments on participation in arts activities. 3. Use the Taiwan art and culture market at an aim, to discuss the significance of different art lifestyle segments on willingness to spend on arts activities. The findings of this study illustrate the behaviors and segmentations for Taiwan’s creative industry, and the different kinds of consumers to market to. Implications of this research to suggest to the marketers of Taiwan’s creative industry and recommendations for further research are also presented. |
第三語言摘要 | |
論文目次 |
Table of Contents Chapter 1 Introduction, Background, Motivation, Objectives 1 1.1 Introduction 1 1.2 Definitions 4 1.3 Background 5 1.3.1 Taiwan’s Creative Industry History 5 1.3.2 The Colonial Era (1895-1945) 6 1.3.3 Marital Law Era (1949-1975) 7 1.3.4 THE FIRST WAVE: Permeation (1960-80) 9 1.3.5 THE SECOND WAVE (1981-90) 11 1.3.6 Arts as a New Wave (1991-present) 14 1.3.7 Other Countries’ Creative Development 17 1.4 Motivation 20 1.4.1 Local and international economic benefits 21 1.4.2 Education 28 1.4.3 Social 34 1.5 Objectives 36 1.6 Explanation of the Research Process Figure 37 Chapter 2 Document Review 40 2.1 Art and Culture Marketing 41 2.2 Consumer attitudes and behavior 43 2.3 Maslow’s Hierarchy of Needs 44 2.4 Activities, Interests, and Opinions (AIO) 46 2.5 Overview of Theories and Consumer Behavior 47 2.5.2 Consumer budget optimization 48 2.5.3 Consumer Values 49 2.5.4 Approaches 50 2.5.5 Audiences 51 2.5.6 Consumer Motivations 54 2.5.7 Different lifestyle segments in the literature 56 Chapter 3 Research Methods 60 3.1 Conceptual Framework 61 3.2 Hypotheses 62 3.3 Supportive references 63 3.4 Data Collection 68 3.5 Questionnaire Design 69 3.6 Data Analysis 71 Chapter 4 Data Analysis 72 4.1 Demographics 72 4.2 KMO and Bartlett-Specific Art lifestyle 75 4.3 Factor Analysis of Specific art lifestyles 76 4.4 Cronbach’s alphas of Specific art lifestyles 78 4.5 MANOVA Cluster Analysis of Art lifestyles 79 4.6 Discriminant Analysis 80 4.7 Descriptive Analysis 81 4.8 ANOVA 83 4.9 KMO and Bartlett-General lifestyle 84 4.10 Factor Analysis of General lifestyles 85 4.11 Cronbach’s alphas of General Lifestyles 87 4.12 MANOVA Art lifestyles 87 4.13 Wilk’s Lambda 88 4.14 Two-way ANOVA 89 4.15 Cluster and Factors’ Significance 90 4.16 Participation 91 4.17 Willingness-to-spend 93 Chapter 5 Conclusions and Implications 95 5.1 Conclusions 95 5.1.1 Research Objectives 96 5.1.2 Hypotheses 99 5.1.3 Art Lifestyle Segmentation 100 5.2 Implications 102 5.3 Limitations and Extensions 110 References 111 English Literature Sources 111 Internet Resources 116 Video Bibliography 118 Appendix A Self-administered Questionnaire (English version) 119 Appendix B Self-administered Questionnaire (Chinese version) 125 List of Tables Table 1.4-1 Creative Industries International Trade by Product Groups (millions of $) 22 Table 1.4-2 Creative Industries International Trade as % of total World 24 Table 1.4-3 Creative Industries International Trade Growth rates % 25 Table 1.4.2-1 Arts Course-taking Patterns and SAT scores 30 Table 4.1-1 Demographics 72 Table 4.2-1 Factor Analysis-KMO & Bartlett 75 Table 4.2-2 Total Variance Explained 75 Table 4.3-1 Specific Lifestyle Factor Loading 76 Table 4.3-2 Specific Lifestyle Factor Loading 76 Table 4.3-3 Specific Lifestyle Factor Loading 77 Table 4.3-4 Factor Lifestyle Factor Loading 77 Table 4.4-1 Art lifestyle Cronbach’s Alpha 78 Table 4.5-1 MANOVA Art lifestyle cluster analysis 79 Table 4.6-1 Discriminant Analysis Case Processing Summary 80 Table 4.7-1 Descriptive Analysis 81 Table 4.8-1 ANOVA-Analysis of Variance 83 Table 4.9-1 Factor Analysis-KMO & Bartlett 84 Table 4.9-2 Total variance explained 84 Table 4.10-1 General Lifestyle Factor Loading 85 Table 4.10-2 General Lifestyle Factor Loading 85 Table 4.10-3 General Lifestyle Factor Loading 86 Table 4.10-4 General Lifestyle Factor Loading 86 Table 4.11-1 General lifestyle Factor-Cronbach’s alphas 87 Table 4.12-1 MANOVA-Art lifestyles 87 Table 4.13-1 Wilk’s Lambda 88 Table 4.14-1 Two-way Analysis of Variance ANOVA 89 Table 4.15-1 Cluster and Factors’ Significance 90 Table 4.16-1 Art Lifestyle Segmentation-Participation 91 Table 4.17-1 Willingness-to-spend 93 Table 14.7-2 Willingness-to-spend Significance 94 List of Figures Figure 1.1-1 Core Cultural Domains 2 Figure 1.4.2-2 Compendium Summary: The Arts and Academic and Social Outcomes 30 Figure 1.6-1 Research Process 37 Figure 2.3-1 Maslow’s Hierarchy of Needs 44 Figure 2.5.1-1 A Theoretical Model of Culture’s Influence on Behavior 47 Figure 2.5.3-1 Opposing values, tendencies or positions 50 Figure 2.5.5-1 Major Consumer Reference Groups 51 Figure 2.5.6-1 Model of the Motivation Process 54 Figure 2.5.7-1 VALS Framework 56 Figure 3.1-1 Framework Chart 61 Figure 3.3.1 Summary Hypotheses Pertaining to Arts Participation 65 Figure 5.2-1 Liked Activities in Taiwan 103 Figure 5.2-2 Motivational Activities in Taiwan 104 Figure 5.2-3 Activities with an eager audience 106 Figure 5.2-4 Suggested Activities 107 |
參考文獻 |
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