§ 瀏覽學位論文書目資料
系統識別號 U0002-2706200511030800
DOI 10.6846/TKU.2005.00925
論文名稱(中文) 達許.漢密特:冷硬派推理小說大師
論文名稱(英文) Dashiell Hammett: Master of Hard-boiled Writing
第三語言論文名稱
校院名稱 淡江大學
系所名稱(中文) 英文學系碩士班
系所名稱(英文) Department of English
外國學位學校名稱
外國學位學院名稱
外國學位研究所名稱
學年度 93
學期 2
出版年 94
研究生(中文) 張鈺婷
研究生(英文) Yu-Ting Chang
學號 690010136
學位類別 碩士
語言別 英文
第二語言別
口試日期 2005-06-13
論文頁數 150頁
口試委員 指導教授 - 莫蘭德(marbol@mail.tku.edu.tw)
委員 - 梁孫傑
委員 - 游錫熙
關鍵字(中) 冷硬派
推理
關鍵字(英) detective
crime
popular writing
Pinkerton
the 1920s
Black Mask
realism
第三語言關鍵字
學科別分類
中文摘要
達許.漢密特是二十世紀的美國作家,他被公認為冷硬派推理小說的創始人,更被許多學者推崇為最偉大的作家之一。 本論文羅列許多評論家和作家們對漢密特的讚嘆,作為本論文作者研究漢密特的開端,也就是說, 看到那麼多名人學者大力稱讚漢密特, 並將漢密特和馬克.吐溫、海明威等人並列為美國偉大的文學作家,我不禁好奇: 到底漢密特貢獻了什麼, 讓那麼多人讚不絕口? 因此,本論文旨在研究:漢密特的貢獻到底是什麼? 那些貢獻為什麼那麼重要?
為了要充分讓本論文讀者了解漢密特的成就為什麼值得探討,所以我在第一章和第二章簡述推理文學發展的歷史,讓讀者知道, 在漢密特出現之前所建立起來的推理文學寫作的傳統有哪些。 讀者有了推理文學發展方向的概念之後,就能比較漢密特的推理故事與他的前輩建立起來的推理文學格式有什麼不同, 並且能了解為推理文學帶來哪些清新並且重要的元素。 
本論文作者從三方面深入探討漢密特的貢獻:他在形塑人物特色方面的貢獻、他在語言和形式方面的貢獻、他對寫實文學方面的貢獻。 本論文作者希望,藉由探究漢密特對推理文學的貢獻, 喚起更多人重視漢密特的文學創作,並且希望吸引不熟悉推理文學的讀者們進入多采多姿的推理世界。
英文摘要
Hammett had been praised to the sky for the way he wrote detective fiction.  Hammett’s contribution to the detective form was recognized not only by writers of the genre but also by many critics and scholars, who indicated that Hammett’s accomplishments in American literature were comparable to those of Ernest Hemingway, and Mark Twain.  Therefore, I found that the study of Hammett’s contribution as a detective-story writer was of academic value.  Consequently, my thesis will show in the introduction the worthiness of Hammett as a topic of further study through the acclamations of the scholars and critics.  Subsequently, the achievements and state of the genre into which he made his contribution will be presented.  Next, most importantly, Hammett’s specific contributions to the existing detective story will be delineated.  They are categorized in three parts—Hammett’s contributions to characterization, to language, and to realism.
第三語言摘要
論文目次
Preface                                                    1
Introduction                                               3
Chapter One: European Background/Roots                    13
The Eighteenth-century British Crime Writing              16
The Newgate Novel and Sensation Fiction in Britain: 1830-1868                                                      18
French Pioneers of Crime Fiction                          22
Successors to Gaboriau                                    26
The Short Detective Story From Poe to Chesterton          27
The Golden Age Detective Fiction                          43
Chapter Two: American Background/Roots                    52
Captivity Narratives                                      52
Popular Adventure Fiction                                 52
Dime Novels                                               53
Cheap Detective Fiction                                   54
Allan Pinkerton                                           55
Pulp Magazines                                            55
Chapter Three: Hammett's Contributions to 
Characterization                                          58
The Continental Op                                        60
Other Continental ops                                     74
Sam Spade                                                 76
Ned Beaumont                                              86
Nick and Nora Charles                                     88
Lesser Known Detectives                                   90
The Policemen                                             91
The Lawyers                                               93
The Femme Fatale                                          93
The Criminals                                             95
Chapter Four: Hammett's Contributions to Language         97
Style                                                     97
Meiosis                                                  104
Similes                                                  105
Irony/Sarcasm                                            106
Colloquialism/Slang                                      106
Chapter Five: Hammett's Contributions to                 Authenticity/Realism                                     109
The 1920's Background                                    109
The Pinkerton Ethic                                      116
The Black Mask Writer                                    124
Chapter Six: Conclusion                                  128
Appendix: Books by Dashiell Hammett                      136
Works Cited                                              138
Bibliography                                             143
參考文獻
Works Cited
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Bell, Ian A. “Eighteenth-century crime writing”. Ed. Martin Priestman. The Cambridge Companion to Crime Fiction. London: Cambridge UP, 2003.
Bruccoli, Matthew J., and Richard Layman, ed. Hardboiled Mystery Writers: Raymond Chandler, Dashiell Hammett, Ross Macdonald: A Literary Reference. New York: Carroll and Graf pub., 2002.
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Chesterton, G. K. “A Defense of Detective Stories”.  The American Chesterton Society. <www.chesterton.org/gkc/murderer/defence_d_stories.htm>
Dexter, Collin. Introduction. Nightmare Town. By Dashiell Hammett. London: Picador, 1999. vii-x.
“Emile Gaboriau”. ClassicReader. 2005. <www.classicreader.com/author.php/aut.95>
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Grafton, Sue. Introduction. Ross MacDonald: A Biography. By Tom Nolan. New York: Poison Pen Press, 2001.
Haining, Peter, ed. The Classic Era of Crime Fiction. Illinois: Chicago Review Press, 2002.
Hammett, Dashiell. Complete Novels. Ed. Steven Marcus, New York: Library of America, 1999.
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“Hard-boiled Writing from a Private Eye: a Conversation with Steven Marcus”. The National Humanities Center. 1997. <http://www.nhc.rtp.nc.us/ideasv51/marcus.htm>
Henderson, Lesley, ed. Twentieth-Century Crime and Mystery Writers. 3rd ed. Illinois: St. James Press, 1991.
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Kayman, Martin A. “The Short Story from Poe to Chesterton”. Pykett, Lyn. “The Newgate Novel and Sensation fiction, 1830-1868”. The Cambridge Companion to Crime Fiction. Ed. Priestman. London: Cambridge Up, 2003.
Kittredge, William, and Steven M. Krauzer, ed. The Great American Detective: 15 Stories Starring America’s Most Celebrated Private Eyes. New York: New American Library, 1978. 
Knight, Stephen. “The golden age”. The Cambridge Companion to Crime Fiction. Ed. Priestman. London: Cambridge Up, 2003.
Lehman, David. The Perfect Murder: A Study in Detection. Michigan: The University of Michigan Press, 2003.
Lochte, Dick. “New collections capture early genius of Dashiell Hammett”. 2000. <http://archives.cnn.com/2000/books/news/04/17/salon.hammett>
Lovisi, Gary. “The Hard-boiled Way”. 2001. <http://www.pulpcards.com/webpage_articles/gary_lovisi_articles/hard_boiled_way.htm>
Magill, Frank N., ed. Critical Survey of Mystery and Detective Fiction.  California: Salem P, 1988.
Marcus, Steven. Introduction. The Continental Op. By Dashiell Hammett. New York: Vintage Crime, 1992. vii-xxix.
Margolies, Edward. Which Way Did He Go? : the Private Eye in Dashiell Hammett, Raymond Chandler, Chester Himes, and Ross Macdonald. New York: Holmes & Meier Publishers, 1982.
Marling, William. Hard-Boiled Detective Fiction. Case Western Reserve University. 2001. <http://www.cwru.edu/artsci/engl/marling/hardboiled/index.html>
McCann, Sean. Gumshoe America: Hard-boiled Crime Fiction and the Rise and Fall of New Deal Liberalism. Durham N. C.: Duke Up, 2000.
McCullough, David Willis, ed. City Sleuths and Tough Guys: Crime Stories from Poe to the Present. Boston: Houghton Mifflin Company, 1989.
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Nolan, William F. Introduction. Nightmare Town. By Dashiell Hammett. London: Picador, 1999. xi-xxi.
O’Brien, Jeoffrey. Hardboiled America: Lurid Paperbacks and the Masters of Noir. New York: Da Capo Press, 1997.
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Pykett, Lyn. “The Newgate Novel and Sensation fiction, 1830-1868”. The Cambridge Companion to Crime Fiction. Ed. Priestman. London: Cambridge Up, 2003.
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Thompson, Jon. “Dashiell Hammett's Hard-Boiled Modernism”. The Critical Response to Dashiell Hammett. Ed. Christopher Metress. New York: Greenwood Press, 1994.
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Wright, Willard Huntington. “The Great Detective Stories”. Mount Royal College. 2000.  <http://gaslight.mtroyal.ca/grtdtecs.htm>
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Margolies, Edward. Which Way Did He Go?: the Private Eye in Dashiell Hammett, Raymond Chandler, Chester Himes, and Ross Macdonal. New York: Holmes & Meier Publishers, 1982.
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