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中文論文名稱 道林格雷的畫像:王爾德浮士德神話現代主義書寫
英文論文名稱 The Picture of Dorian Gray: Oscar Wilde's Modernist Writing of the Faustian Myth
校院名稱 淡江大學
系所名稱(中) 英文學系碩士班
系所名稱(英) Department of English
學年度 105
學期 2
出版年 106
研究生中文姓名 吳柏翰
研究生英文姓名 Bo-Han Wu
電子信箱 avextraxemi@gmail.com
學號 600110265
學位類別 碩士
語文別 英文
口試日期 2017-06-16
論文頁數 43頁
口試委員 指導教授-陳鏡羽
委員-李家沂
委員-陳佩筠
中文關鍵字 奧斯卡.王爾德  道林格雷的畫像  浮士德神話  幻奇文學 
英文關鍵字 Oscar Wilde  The Picture of Dorian Gray  Faustian Myth  Fantastic literature 
學科別分類 學科別人文學語言文學
中文摘要 摘要
浮士德神話是歐洲知名的傳說故事,而奧斯卡‧王爾德也是是英國文學史上重要的人物。道林格雷是他唯一的小說並且充滿著浮士德神話的元素。本文嘗試從浮士德神話的角度,討論王爾德小說《道林格雷的畫像》(The Picture of Dorian Gray)一書中浮士德元素的呈現和王爾德如何運用這些元素敘述他王爾德式的浮士德神話。第一章討論浮士德神話中三個主要元素:誘惑者/受誘惑者、悲劇女性角色以及惡魔合約;並且比較浪漫主義和現代主義兩個不同時期的浮士德神話書寫。第二章討論王爾德式浮士德神話中受誘惑者格雷被誘惑的過程,在《道林格雷的畫像》中是如何呈現;並且以法國幻奇學者托多洛夫的幻奇詩學理論,討論書中幻奇現象的呈現。
英文摘要 Abstract
The Faustian myth is a well-known story in Europe, and Oscar Wilde is an important figure in the history of English Literature. The Picture of Dorian Gray is Wilde’s only novel, which is full of elements of the Faustian myth. This essay tries to discuss the presentation of Faust elements in The Picture of Dorian Gray from the perspective of Faust myth. The focus will be placed on how Wilde applies the Faustian myth elements into Dorian and his art of emplotment. In the first chapter, I discuss the three main elements of the Faustian myth – the tempter/the tempted, the tragic female role and the Faustian pact and compare different characteristics of Faustian myth between the Romantic period and the Modernist period. In the second chapter, the process of temptation in The Picture of Dorian Gray will be studied, with illumination of Tzvetan Todorov’s poetics of the fantastic.
論文目次 Table of Contents
Introduction..................................................................................................................1
I. Summary of The Picture of Dorian Gray..…………………………………...1
II. Critical Issues……………...………………………………………………....2
II. Methodology………………………………………………………………….4
IV. Literature review……………………………………………………………5
Chapter One: Modernist Faustian Characterization……………………………...9
I. Pact Contractors: Modernist vs. Romantic………………………………....9
II. The Suffering Margarete: Vane..…………………………………………..20
III. The Modernist Devil and the Implicit Contract………………………....23
Chapter Two: Modernist Faustian Temptation.......................................................24
I. Beauty and Youth…………………………………………………………….24
II.Sex and Secular Emotion…… ……………………………………………..28
III. Hedonism……………………………………………………………….….33
Conclusion……………………………………………………………………….…..39
Works Cited……………………………………………………………………….....42


參考文獻 Works cited
Baker, Houston A. “A Tragedy of the Artist: The Picture of Dorian Gray” Nineteenth Century Fict 24.3 (1969): 349-355. JSTOR. Web.17 Sep. 2016.
Clausson, Nils. “Culture and Corruption”: Paterian Self-Development versus Gothic Degeneration in Oscar Wilde’s The Picture of Dorian Gray.” Papers on Language & Literature 39.4 (2003):339-364. EBSCO. Web.17 Sep. 2016.
Clapp-Itnyre, A. "Farewell, Victoria!: English Literature 1880–1900 by Stanley Weintraub (review)." Victorian Studies 55.4(2013): 704-705. Project MUSE. Web.17 Sep. 2016.
Chen, Fanfan. Fanaticism Poetics of Fantastic Literature the Imaginary and Rhetoric. Frankfort: Peter Lang, 2007. Print.
---. “The Narrative Transformation in Modernity of French Fin de Siécle Fantastic Fiction” Chung Wai Monthly Quarterly 30.11 (2002): 127–156. Print.
---. “Archetype and Aesthetics of the fantastic: the narrative form in Chinese and French fiction.” Cambridge. Comparative Criticism 24 (2002): 239-234. Print.
Davis, H. H. "“I seemed to hold two lives”: Disclosing Circumnarration in Villette and The Picture of Dorian Gray." Narrative 21.2 (2013): 198-220. Project MUSE. Web. 17 Sep. 2016.
Fortunato, P. L. "Wildean Philosophy with a Needle and Thread: Consumer Fashion at the Origins of Modernist Aesthetics." College Literature 34.3 (2007): 37-53. Project MUSE. Web. 17 Sep. 2016.
Goethe, Johann Wolfgang Von. Faust. Trans. Cyrus Hamlin. New York: Norton, 2001.
Goldman, Jonathan. Modernism is the Literature of Celebrity. Austin: University of Texas Press, 2011.
Holland, Merlin, ed. The Completed Work of Oscar Wilde: Stories, Plays, Poems and Essays. New York: Harper Perennial Modern Classics, 2008.
Huysmans, Joris-Karl. Against Nature. Trans. Patrick McGuinness. New York Penguin, 2003.
Haslam, R. "The Hermeneutic Hazards of Hibernicizing Oscar Wilde’s The Picture of Dorian Gray." English Literature in Transition, 1880-1920 57.1 (2014): 37-58. Project MUSE. Wed. 17 Sep. 2016.
King, Mary C. “Digging for Darwin: Bitter Wisdom in The Picture of Dorian Gray and “The Critic as Artist.””Irish Study Review 12.3 (2004): 315-327. Print.
Lawler, Donald L., and Charles E. Knott. “The Context of Invention: Suggested Origins of ‘Dorian Gray.’” Modern Philology 73.4 (1976): 389–398. JSTOR.Web. Sep. 17. 2016.
Philip Manson Palmer and Robert Pattison More, The Source of Faust Tradition: from Magus to Lessing. London: Oxford UP, 1936.
Todorov, Tzvetan. The Fantastic: A Structural Approach to a Literary Genre. Trans. Robert Scholes. New York: Cornell UP, 1975.
---. Introduction to Poetics. Trans Richard Howard. Minneapolis: Minnesota UP, 1981.
Wilde, Oscar. The Picture of Dorian Gray. New York: W.W. Norton, 2007.
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