§ 瀏覽學位論文書目資料
  
系統識別號 U0002-1403201717115000
DOI 10.6846/TKU.2017.00443
論文名稱(中文) 軟實力:韓國流行樂/韓流在南韓外交政策中的角色 2008- 2013
論文名稱(英文) Soft Power: The Role of K-pop/Korean Wave in South Korea's Foreign Policy (2008 - 2013)
第三語言論文名稱
校院名稱 淡江大學
系所名稱(中文) 國際事務與戰略研究所碩士班
系所名稱(英文) Graduate Institute of International Affairs and Strategic Studies
外國學位學校名稱
外國學位學院名稱
外國學位研究所名稱
學年度 105
學期 2
出版年 106
研究生(中文) 馮重鈞
研究生(英文) Emmanuel Felix Lespron
學號 601330334
學位類別 碩士
語言別 英文
第二語言別
口試日期 2017-01-09
論文頁數 128頁
口試委員 指導教授 - 李大中
委員 - 翁明賢
委員 - 曾怡碩
關鍵字(中) 軟實力
國際關係
南韓
外交政策
流行音樂
關鍵字(英) South Korea
Public Diplomacy
International Affairs
Soft Power
Pop Music
KPOP
第三語言關鍵字
學科別分類
中文摘要
本論文旨在探討韓國流行樂/韓流在南韓外交政策中的角色。為了清楚了解南韓的政治體制、行動和計劃如何影響韓流,本論文將其討論的韓流定義為『南韓境內的流行樂』。在這樣的前提下,本論文也會一併討論南韓的政策、法律與規範,以探討韓流對南韓國內政治與社經議題的影響,特別是如何被用以作為行銷南韓國產品牌的軟實力。本論文一開始先了解南韓的歷史與南韓流行樂的起源,分析南韓流行樂在國內與國際上的地位,並期望了解南韓流行樂與其政治、社會與經濟進展的關係。建立起歷史發展的框架後,便可以在其之下討論韓流的概念。最後,研究以分析韓流與其進展做結論,並認識政府對於經營韓流的投資以及未來的規劃與改善。本論文將探索與分析南韓政府利用韓流作為外交軟實力政策的重要概念。
英文摘要
The intention of this thesis is to explore the role of K-pop/the Korean Wave in South Korea's soft power policy. In order to set the foundation, the history of music within South Korea shall be established as well as Hallyu/Harnyu within the context of K-pop in order to understand the impact of political mechanisms, actions, and programs. With this in mind, policies, laws, and regulations shall be examined in order to understand how K-pop has been able to influence the political, social, and economic issues of South Korea, specifically exploring what policies have been implemented in order to help South Korea's Nation-Branding through Soft Power. While the thesis begins with an analysis of K-pop within South Korea and internationally, it seeks to understand the relationship between K-pop and political, social, and economic progress. To arrive at this conclusion, the research first understands the history of
South Korea as well as the development of K-pop. With this perspective established, it is then possible to explore the concept of the Korean Wave through this lens.Ultimately, this work will conclude with resolutions and progress, understanding government efforts within the current landscape as well as identifying future prospects and reviewing recommendations.
Cumulatively, this thesis will evaluate and explore the important concepts that are pivotal to recognizing the role of K-pop/the Korean Wave in South Korea's soft power policy.
第三語言摘要
論文目次
Index						Page
1.Introduction to South Korea & Music           1
1.1 Background Information    			1
1.1.1 History of South Korea			3
1.1.1.2 The Political Climate			9
1.1.2 History of Music within South Korea	10
1.1.2.1 Traditional Korean Folk			10
1.1.2.2 Western-Influenced Popular Music	12
1.1.2.2.1 The First Hit				12
1.1.2.2.2 Understanding the Idols		13
1.1.2.3 Trot					16
1.1.2.4 Rock					17
1.1.2.5 Hip-Hop					18		
1.1.2.6 Hybrid					19
1.1.2.7 Classical				20
1.1.2.8 Christian				20
1.1.2.9 Musical Exports				21
1.2 Research Objectives and Questions		22
1.3 Methodology					23
1.4 Literature Review				24
1.5 Research Scope and Limitations		28
1.6 Chapter Arrangements			30
2. Understanding the Inception of Hallyu	32
2.1 Trade & Issues in South Korea		32
2.1.1 Financial Issues				34
2.1.2 Political Issues				36
2.2 Issues in Soft Power Diplomacy & Soft Power versus Influence					39
2.3 How the Issues Fueled Hallyu & the Era	43
2.3.1 The Mechanisms, Actions, Programs Integral to K-pop's 	Success					44
2.3.2 An International Trend			46
2.4 Music & The Soft Power of K-pop		48
2.4.1 Case Study Review				54
2.4.1.1 Asian Masculinity in the Context of K-pop
						59
2.4.2 Rain					63
2.4.3 K-pop and Social Media			64
3. Government Policies, Laws & Regulations	70
3.1 Policy Options				70
3.2 Hallyu/Harnyu				72
3.3 The How: The Korean Wave & South Korea’s Nation-Branding Campaign				74
3.3.1 Results of Nation Branding & Impact on Music	                       
                                                82
3.3.2 Korean’s Wave Efficacy and & its Impact on Korea’s Nation Branding					84
3.4 South Korea’s Public Diplomacy as a Policy Tool of Soft Power					86
3.4.1 The Mutual Cultural Exchange Project	87
3.5 Resources					88
4. Impact					90
4.1 Relationship with Diplomats			90
4.2 Economic Spillover				92
4.3 K-pop & English				95
4.4 Problems & Obstacles			96
4.4.1 The K-pop System & Complications		96
4.4.2 Internal Dissatisfaction			100
4.4.3 Treatment of Women			101
4.4.3.1 Slave Contracts				103
4.4.3.2 Specific Examples			106
4.4.3.3 Sexual Abuse				107
4.4.3.4 Improvements				108
4.4.5 Unhealthy Obsessions			109
4.5 Policy					110
4.5.1 Countries Following Suit			111
4.5.2 Overall Soft Power/Foreign Policy Impact	112
5. Conclusion: Resolutions & Progress		114
5.1 Government Efforts & the Current Landscape	114
5.2 Future Prospects				116
5.3 Recommendations				117
Bibliography					119
參考文獻
Bibliography

1.	Governmental Documents
a) Office of the United States Trade Representative, “U.S. Korea Free Trade Agreement,” Executive Office of the President (2016), https://ustr.gov/trade-agreements/free-trade-agreements/korus-fta (accessed March 13, 2017).
b) Shin, S. O., “Defense Policies of Korea,” The Ambassador Speaks, National Defense College of the Philippines, Quezon City (1999).
c) Staines, J., “Korea | Government to Expand Korean Wave and Overseas Cultural Exchanges,” ASEF: Culture360 (March 13, 2012), http://culture360.asef.org/news/korea-government-to-expand-korean-wave-and-overseas-cultural-exchanges/ (accessed March 13, 2017).
d) Whitney, C. B., “Soft power in Asia: Results of a 2008 multinational survey of public opinion,” Chicago Council on Global Affairs in partnership with EAI (2009), 1-45.

2.	Books
a) Macdonald, D. S., & Clark, D. N., “The Koreans: Contemporary politics and society,” Westview Press (1996), http://gyypevok.ru/kydow.pdf (accessed March 13, 2017)
b) Nahm, A. C, “Korea: tradition & transformation: a history of the Korean people,” Weatherhill, Incorporated (1996).
c) Nye, J. Jr., “Soft Power: the Means to Success in World Politics,” Political Science/Public Affairs and Administration. Amazon.com (2005).
d) Prasetyono, E., “Next Steps in ASEAN-Korea Relations for East 
Asian Security,” in Ho Khai Leong’s “ASEAN-Korea Relations: Security, Trade and Community Building,” Institute of Southeast Asian Studies, Singapore (2007).
e) Russell, M. J., “Pop goes Korea: Behind the Revolution in Movies, Music, and Internet Culture,” Stone Bridge Press (2008), https://books.google.com.tw/books?id=gftM5SjLwV8C&printsec=frontcover&hl=zh-TW&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=true (accessed March 13, 2017).

3.	Book chapters
a) Kuwahara, Y., “Hanryu: Korean Popular Culture in Japan," The Korean Wave, Palgrave Macmillan US (2014), 213-221.
4.	Journals
a) Chester B. C., “Is [South] Korea Open for Soft Power Diplomacy?” Executive Policy Brief 1, no. 13 (2011): 1-4.
b) East-West Center, “Economic and Social Aspects of Korea-Related Issues,” 1, no. 12 (2016), http://www.eastwestcenter.org/research/visiting-fellow-programs/posco-visiting-fellowship-program/economic-and-social-aspects-of-korea-related-issues (accessed March 13, 2017).
c) Gidwani, K., “Korea and the Asian Financial Crisis,” Stanford (2016).
d) Hernandez, C., “Strengthening ASEAN-Korea Co-operation in Non-Traditional Security Issues,” in Ho Khai Leong’s “ASEAN-Korea Relations: Security, Trade and Community Building,” Institute of Southeast Asian Studies, Singapore, no. 9 (2007).
e) Kim, R., “South Korean Cultural Diplomacy and Efforts to Promote the ROK’s Brand Image in the United States and Around the World,” John Hopkins School of Advanced International Studies (2011), https://web.stanford.edu/group/sjeaa/journal111/Korea2.pdf (accessed December 31, 2016). 
f) Lee, S. J., “South Korea’s Soft Power Diplomacy,” East Asia Institute (EAI), Issue briefing. 2009. No. MASI 2009-01.
g) Lee, J. S., “Linguistic hybridization in K‐Pop: discourse of self‐assertion and resistance.” World Englishes 23, 3 (2004): 429-450, http://onlinelibrary.wiley.com/doi/10.1111/j.0883-2919.2004.00367.x/abstract (accessed Janurary 4, 2017).
h) Lie, J., “What is the K in K-pop? South Korean popular music, the culture industry, and national identity,” Korea Observer 43, 3 (2012): 339, https://www.researchgate.net/publication/292866159_What_Is_the_K_in_K-pop_South_Korean_Popular_Music_the_Culture_Industry_and_National_Identity (accessed December 27, 2016).
i) Shin, H., “Have you ever seen the Rain? And who’ll stop the Rain?: 
The globalizing project of Korean pop (K‐pop).” Inter‐Asia Cultural Studies 10, 4 (2009): 507-523, https://www.researchgate.net/publication/263262095_Have_you_ever_seen_the_Rain_And_who'll_stop_the_Rain_The_globalizing_project_of_Korean_pop_K-pop (accessed January 2, 2017)
j) Siriyuvasak, U. & Hyunjoon, S., “Asianizing K‐pop: production, 
consumption and identification patterns among Thai youth.” Inter‐Asia Cultural Studies 8, 1 (2007): 109-136, https://www.researchgate.net/publication/248993793_Asianizing_K-pop_Production_consumption_and_identification_patterns_among_Thai_youth (accessed January 4, 2017)
k) Volodzko, D., “K-pop’s gross double standard for women,” Global 
Post:PRI.ORG (April 2016), https://www.pri.org/stories/2016-04-25/k-pop-s-gross-double-standard-women (accessed March 13, 2017).
l) Watson, J., “The Daily: The Soft Power of K-pop,” The Public Diplomat (April 28, 2014), http://thepublicdiplomat.com/2014/04/28/the-daily-the-soft-power-of-k-pop/ (accessed March 13, 2017).
m) Xin, L. W., “Hallyu Power: Cultural Policies of the South Korean 
Government,” EAI Background Brief No. 1015 (2015).

5.	Newspapers
a) Faiola, A., “Japanese Women Catch the 'Korean Wave,'" The Washington Post (2006).
b) Meinardus, R., “Korean Wave in the Philippines,” The Korea Times (2005).
c) Williamson, L., “The dark side of South Korean pop music,” BBC 
News: Asia Pacific (June 2011), http://www.bbc.com/news/world-asia-pacific-13760064 (accessed March 13, 2017).

6.	Scholar works online
a) “10 Steps on How to be a Successful K-pop Idol,” K-pop Out of the Box (2016), https://kpopoutofthebox.wordpress.com/2013/12/20/how-to-be-a-successful-kpop-idol/ (accessed January 4, 2016).
b) Columbia University, “Bora Kim,” K-pop (2014), http://arts.columbia.edu/visual-arts/2015/thesis/bora-kim (accessed March 13, 2017).
c) Nast, C., “20 Essential K-pop Songs,” Pitchfork (2016), http://pitchfork.com/features/starter/9475-20-essential-k-pop-songs/ (accessed January 4, 2016).
d) “Controversial foreign K-pop boyband EXP revealed to be Columbia student’s thesis project,” K-pop (April 19, 2015), http://www.koreaboo.com/news/controversial-foreign-k-pop-boyband-exp-revealed-columbia-students-thesis-project/ (accessed January 4, 2016).
e) Shin, h. h., “K-pop craze boosts Korea's public diplomacy,” AsiaOne News (January 2013), http://news.asiaone.com/News/AsiaOne+News/Asia/Story/A1Story20130128-398379.html (accessed January 4, 2016).
f) “Why do they do that? Korean culture and the K-pop industry,” Beyond Hallyu (April 2016), http://beyondhallyu.com/k-pop/how-korean-culture-has-shaped-the-k-pop-industry/ (accessed January 1, 2016).
g) Nye, J. Jr., “South Korea's Growing Soft Power,” Belfer Center (2009), https://www.belfercenter.org/publication/south-koreas-growing-soft-power (accessed March 13, 2017).
h) Tomsen, D., “Horrifying Realities From The World Of Asian Pop Music,” List Verse (May 2015), http://listverse.com/2015/05/19/10-horrifying-realities-from-the-world-of-asian-pop-music/ (accessed November 16, 2016).
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