淡江大學覺生紀念圖書館 (TKU Library)
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系統識別號 U0002-0908201210351500
中文論文名稱 身體景觀--當代身體的奇觀現象
英文論文名稱 BodyScape – The Spectacle Phenomenon of Contemporary Body
校院名稱 淡江大學
系所名稱(中) 土木工程學系博士班
系所名稱(英) Department of Civil Engineering
學年度 100
學期 2
出版年 101
研究生中文姓名 郭令權
研究生英文姓名 Ling-Chuan Kuo
學號 898380042
學位類別 博士
語文別 中文
口試日期 2012-06-10
論文頁數 71頁
口試委員 指導教授-吳光庭
委員-陳珍誠
委員-賴怡成
委員-曾成德
委員-顏忠賢
中文關鍵字 身體景觀  奇觀  異化身體  符號身體  域外身體  權力身體  表演身體 
英文關鍵字 BodyScape  Spectacle  Alienation body  Symbol body  Extraterritorial body  Powers body  Performing body 
學科別分類
中文摘要 本文討論當代社會對身體書寫的現象,透視身體藉由不同工具所產生的書寫形式及形塑的身體奇觀。身體在被改造與重寫所體現的差異狀態中,技術工具的時代性與科技化介入產生了新的身體思考向度,將身體的自我認知、主體思想與商業運作結合,各種媒體全面性地延伸身體的知覺感官,透過語言表達力的看法,身體足堪作為可見意義載具展現各種不同觀點及態度;甚至與身體產生整合、替代,形塑出當代誇張、強烈的身體圖像與美學思維。

作為一個客觀對應的考察對象,個人對身體的看法不但仰賴思考方式,也仰賴各種感官作用的交會總和。不同的被考察者對待身體感受的方式不同,各自建構出的身體感官秩序面對外在時空環境也出現獨立的運作模式。客觀知識的產生不會脫離人類的感知過程,主體經驗與身體文化的記憶之間有著密切的關係,而身體觀與身體體感兩者維持著互賴關係。因此當我們研究身體時,對於被考察者對待自己身體的觀念也同時被探究,並進而研究、分析身體記憶的思想結構,並由此為基礎,探索身體內在的感官認知。本文藉由眾多對於身體各部位感官與意象的書寫對照,企圖釐清身體被物件化又再重組建構完整身體感知體系的過程脈絡;同時將身體的抽象片段化,做為身體與都市環境兩者互動投射的對話訊息。
英文摘要 The discussion focuses on the description of the modern flesh by different tools which vary different ways for records and forms for performance.
Technologies generate a new thought of body sensation which is involved in self-awareness, subjective consciousness and business models during the process of operation. Nodaway, body seems to be another language by media which extends a comprehensive manner and sensory perception. And this even constructs a modern aesthetic dialogue about the combinable, substituted or exaggeration body.

Being an objective mapped target for observation, a personal body's perspective relies not only on the way it thinks, but also among the senses interaction. Different observers treat their bodies in different ways, leading to an sorted body sense order with independent operating modes.
The birth of objective knowledge is closed to human's perception, in which body experience is deeply corresponded to body cultural memory, where body's perspective and fitting depends on each other. Thus when researching bodies, the concept of how observees treat their bodies will also be examined, in order for researching and analyzing the body memory's structure. Next, this will be the basis for discovering the in-body sense perception.
This essay refers to various novel scenarios focused on body senses and body images, in order to clarify the procedure from body objectification to perception system reconstruction, as well as using abstracted body segmentation as a message pipe between body and urban environment.
論文目次 第一章緒論1
1-1緣起
1-2研究動機
1-3研究目的
1-4研究架構
1-5小結
第二章異化身體9
2-1身體的扁平化
2-2身體改造性
2-3身體改造的異術類型
2-4身體主體化探索
2-5身體個體化的主詞本性
2-6身體風格化的形容詞種類
2-7身體商品化的消費模式
2-8小結
第三章符號身體28
3-1身體符號化的象徵
3-2身體性別的符號化
3-3小結
第四章域外身體36
4-1從[身體]到[新身體]31
4-2科技時代中的身體遭遇
4-3小結
第五章權力身體46
5-1身體形式的特徵
5-2身體作為個體化的主詞
5-3小結
第六章表演身體55
6-1身體書寫的意識歧異
6-2身體書寫的去形式化
6-3小結
第七章結論60

參考資料

圖目錄






圖1-1 論文研究價構圖。
圖 2-1 Batman Notecover, DC comics,2011。
圖 2-2 Alexander McQueen, 2006AW。(左)
Issey Miyake, 1993SS。(右)
圖 2-3 Martin Klimas,Still-Life。
Hans Bellmer,The Doll。
攻殼機動隊。
The Matrix。(由左至右)
圖 2-4 Alice in wonderland, VOGUE, 2003。
Tom Ford : Fordbitten , W magazine , 2004。
〈軍法局〉,2009、〈凌遲考〉,2002,陳界仁。(由左至右)
圖 2-5 Issey Miyake, 1998SS。Cristobal Balenciaga, 1967AW。
圖 2-6 林俊良錄像系列作品。
陳永賢錄像系列作品。
謝德慶五件一年作品宣言。(由左至右)
圖 2-7 Richard Hamiltom, Just what is it that makes today's homes so different, so appealing ?
1956。(左1)
蔡國強 + 蔡康永,雙蔡連手震撼藝界電視銷售藝術品,2005。(左2)
圖 3-1 Tattoo。(左)
Sefan Sagmeister, Poster for AIGA,1999。(右)
圖3-2 YSL, Smoking Dress, 1975。(左)
Riyo Mori, 2008。(右)
圖3-3 Mark Ryden, Incarnation, 2009。(左)
Lady GAGA, Meat Dress, 2010。(右)










圖4-1 Camera Lucida, William Hyde Wollaston, 1806。(左上)
The Draughtsman’s Contract, Peter Greenaway, 1982。(右上)
Draughtsman drawing a Recambevt woman, Albercht Durer, 1525。(左中)
Pillow Talk, 1952。(右中)
The Large Glass, Marcel Duchamp, 1923。(左下)
Traveler, Diller + Scofidio, 1993。(右下)
圖4-2 Chris Cunningham, All is Full of Love (Bjork), 1999。(左)
Alexander McQueen, 1999 SS。(右)
圖4-3 Aimee mullins,Running Legs, 1998。(左)
Kate Moss in Alexanxder McQueen, 2006。(右)
圖5-1 Maison Marti Margiela, 1998AW。(左1)
Maison Marti Margiela, 1998AW。(左2)
Maison Marti Margiela, 1998SS。(右2)
Hussein Chalayan, Wooden Corset, 1995AW。(左)
圖5-2 Karl Lagerfeld。
圖6-1 Campbell Soup Paper Dress, 1967。(右)
Lil Kim, David Lachapelle, 1999。(右1)
圖6-2 Kosuke Tsumura, Final home Coat, 1994。(左)
FNP Architekten, Showroom, 2004。(右)
圖6-3 Richael Whiteread, House, 1993-95。(左)
Do-Ho Suh, N.Y. House, 1999。(右)
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中文書目:

王墨林,2009,《台灣身體論. 第一卷 : 王墨林評論集1979-2009》,臺北市,左耳文化出版社。

艾倫.狄波頓(Alain de Botton)著 ; 陳信宏譯.,2007,《幸福建築》,臺北市,先覺出版公司。

艾可Umberto Eco編著 ; 彭淮棟譯.,2006,《美的歷史》,臺北市,聯經出版事業公司。

艾可Umberto Eco著 ; 彭淮棟譯,2008,《醜的歷史》,臺北市,聯經出版事業公司。

辻原康夫著 ; 余秋菊譯.,2006,《服飾的世界地圖》,臺北市,玉山社出版事業公司。

長澤伸也原著 ; 鄭雅云, 劉錦秀譯,《2004,LV時尚王國 : 全球第一名牌的購併與行銷之秘》,臺北市,商周文化事業公司。

伍德華Kathryn Woodward編 ; 林文琪譯,2004,《身體認同 : 同一與差異》,臺北縣永和市,韋伯文化國際出版公司。

海曼(Louis Hellman)著 ; 張淑玫譯.,1997,《認識建築》,臺北市,時報文化出版企業公司。

馬克.敦格(Mark Tungate)著 ; 林宜萱譯,2007,《買與不買都上癮 : 從Armani到Zara的時尚行銷》,臺北市,高寶國際公司。

提姆.岡恩(Tim Gunn), 凱特.莫隆妮(Kate Moloney)合著,2008,《風格一身 : 由內而外,從美麗進化到魅力-提姆.岡恩的質感,品味與風格指南》,臺北市,大塊文化出版公司。

董啟章,2007,《時間繁史.啞瓷之光》,臺北市,麥田出版公司。

董啟章,2005,《天工開物.栩栩如真》,臺北市,麥田出版公司。

鹿島茂著 ; 吳怡文譯.,2006,《明天是舞會 : 十九世紀法國女性的時尚生活》,臺北市,如果出版社。

諾伯舒茲(Christian Norberg-Schulz)著 ; 曾旭正譯.,1990,《建築意向》,臺北市,胡氏圖書出版社。

羅哈.切哈(Radha Chadha), 保羅.赫斯本(Paul Husband)著 ; 藍麗娟譯.,2007,《亞洲名牌聖教 : 破解奢華爆炸的密碼》,臺北市,天下雜誌公司。

蔡宜錦,2006,《西洋服裝史 = A history of costume in the west》,臺北市,全華科技圖書公司。

清水早苗,NHK番組制作班編,2005,《アンリミテッド : コムデギャルソン = Unlimited : Comme des Garçons》,東京市,平凡社。





雜誌期刊:

Visionaire No. 55: Surprise [Deluxe Edition] [Paperback] by Steven Klein, Sophie Calle, Cai Guo-Qiang and Andreas Gursky (November 1, 2008)

Visionaire No. 49: Decades by Karl Lagerfeld, Nick Knight, Steven Meisel and Bruce Weber (Nov 15, 2006)
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